I found myself seriously in need of some escapist fare this month, so I abandoned all pretense of reading actual literature and instead entertained myself with Patricia Briggs, Michelle Tea, and Deanna Rayborn.
As excited as I was for the March 1 release of River Marked, the 6th installment of Briggs’ uber-popular urban fantasy series staring Mercy Thompson, it took me quite a while to work my way threw this book. The story opens (inexplicably) when our heroine pays a visit to her friend Stephan and finds him doing less-then-well. From there, we move on to Mercy’s wedding to long-time love interest Adam, a planned elopement which turns into a surprise wedding and reception, followed by a sex-filled camping trip/honeymoon. It’s sweet and satisfying, but again, not especially relevant. This may serve the series as a whole, but it makes for a rather rambling and plot-less opening to this installment. The actual story begins about 20% of the way through the book, when couple discover a monster in the Columbia River.
Even though these are the books that have really put Briggs on the map, the series has just become too much for me…especially when I consider that all five volumes have supposedly taken place over the course of just 18 months. This poor character gets beaten and maimed almost to death in every book, not to mention raped and coerced in #4. I mean, how many bad things can happen to one woman in a year and a half?
As a follow-up to Valencia, I decided to check out Michele Tea’s Rent Girl, a collaborative graphic novel style memoir about the author’s years as a prostitute in Boston and, briefly, San Francisco. I loved the style and aesthetic of this book (even though a bizarre number of the illustrations were just pictures of Tea in various outfits, facing the viewer with this “let me tell you how it is” look on her face).
The prose was stylistically similar to Tea’s other work, but more focused on the topic at hand. The author spends little time discussing her own emotions, thought processes and even her own life outside work and the people she worked with. This book is interesting not because Tea offers compelling characters or a fully developed life story, but because she explains frankly and unabashedly what prostitution is like.
Overall, it was a good read, but not as absorbing as some of her other work.
After devouring the Julia Grey series back in November, I thought I’d check out Deanna Raybourn’s newest offering, The Dead Travel Fast, an atmospheric mystery/romance staring Theodora, an aspiring novelist who travels from Edinburgh to, yes, Transylvania to visit an old school friend. As the guest of her friend’s noble family, she meets all the characters you might expect–the darkly romantic and super hot count, his mistreated and ailing mother, the strangely hostile maid servant, and the friendly local physician–and stumbles into what may (or may not) be a series of supernatural murders.
I can no longer accuse this author of writing predictable mysteries. The conclusion to this one took me completely by surprise. Ann Radcliffe like, Raybourn creates a Gothic horror story, and then, challenges it with the most mundane explanation imaginable (given the circumstances). Personally, I find Julia Grey a more compelling character, but I enjoyed this novel.